The artistic proposal aims to approach the consequences of the DANA through contact with clay, listening to the material, and paying attention to the traces the disaster leaves in daily life. The workshop invited the public to pause and consider the material's weight, humidity, resistances, and cracks.
According to the author, “working with clay thus becomes a way of being affected by what happens in one's hands, as each gesture responds to a material that offers possibilities, but also imposes limits and alters the intentions of the person touching it.”
From this listening, the workshop approached the spectral: the absences, the memories, and the experiences that remain present even when they no longer have a visible form. The withdrawal of water and the cleaning of the streets after the disaster do not erase everything that happened, as marks persist in spaces, bodies, and relationships, as well as silences and questions that still lack words.
